What do you enjoy most about performing chamber music?

Performing chamber music is an art form that thrives on communication, both between musicians and with the audience. It’s an intimate way of making music, where a small group of players must listen, respond, and interact in real time. This closeness allows for a deep musical and personal connection, making every performance a unique and shared experience.
 

When listening to the ‘cello as a featured instrument, what do you suggest the audience listen for to maximize their enjoyment and appreciation?

 The cello is a uniquely versatile instrument, capable of singing in the soprano, alto, tenor, and bass ranges. Its expressive depth and wide range closely resemble the human voice, making it one of the most emotive instruments. As you listen, pay attention to the different voices the cello can take on, it can whisper, sing, and even resonate with the richness of a full choir.
 

You’ve performed in many musical settings, from world class orchestras to collaborations with other artists. What has been the most rewarding or unexpected experience in your career so far?

I once had a baton stuck in my head during a concert. I was leading an orchestra in the U.S. when the conductor, who was very famous, though I won’t name names, lost his grip on the baton. It flew straight into my head and got lodged vertically. Quite the unexpected moment on stage!
 

If you could commission a new piece for ‘cello from any composer, past or present, who would it be and why?

I can’t name anyone specific, but I’d love to commission a composer I know personally. There’s something special about performing a piece written by someone who shares the same time, experiences, and perspectives on the world. It creates a deeper connection between the music and the performer.
 

When you’re not rehearsing and performing do you have time for other hobbies?

Hmm I don't really have a hobby. But I like gardening and going to the beach with my wife and my dog. 

 

Can you tell us a little about the work that you are performing as a soloist for BAMF Concert #4 - Dvorak’s ‘Silent Woods’ for solo ‘cello and Orchestra?

I am going to perform a different piece for this concert which is Alone by Giovanni Sollima. Alone is a deeply introspective work that really captures a sense of solitude, as the title suggests. Sollima is known for his expressive, almost improvisatory style, and you can hear that throughout the piece. It’s filled with dynamic contrasts, delicate harmonics, and some really striking extended techniques that give it an incredibly raw and personal quality.

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For further info about Hyung Suk Bae go to: https://www.hyungsukbae.com/

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Interview conducted by Catherine Barnett (BAMF Committee) March 2025

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